Team artis

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Section: Scientific Foundations

Expressive rendering

Participants : François Sillion, Joëlle Thollot, Cyril Soler, Pascal Barla, David Vanderhaeghe, Matt Kaplan, Hedlena Bezerra, Adrien Bousseau, Pierre-Edouard Landes, Kaleigh Smith, David Lanier, Florent Moulin.

There is no reason to restrict the use of computers for the creation and display of images to the simulation of real lighting. Indeed it has been recognized in recent years that computer processing opens fascinating new avenues for rendering images that convey particular views, emphasis, or style. These approaches are often referred to as ``non-photorealistic rendering'', although we prefer the term ``expressive rendering'' to this negative definition.

A fundamental goal of ARTIS is to propose new image creation techniques that facilitate the generation of a great variety of images from a given scene, notably by adapting rendering to the current application. This involves, in particular, significant work on the notion of relevance , which is necessarily application-dependent. Relevance is the relative importance of various scene elements, or their treatment, for the desired result and it is necessary to define relevance both qualitatively and quantitatively. Examples of specific situations may include rendering specular effects, night-time imagery, technical illustration, computer-assisted drawing or sketching, etc. The notion of relevance will also have to be validated for real applications, including virtual reality settings.

Another research direction for expressive rendering concerns rendering styles : in many cases it should be possible to define the constitutive elements of styles, allowing the application of a given rendering style to diffferent scenes, or in the long term the capture of style elements from collections of images.

Finally, since the application of expressive rendering techniques generally amounts to a visual simplification, or abstraction, of the scene, particular care must be taken to make the resulting images consistent over time, for interactive or animated imagery.


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